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Man of steel reviews
Man of steel reviews









man of steel reviews

man of steel reviews

After witnessing the death of his human father in a situation in which we know he could have done more, Clark wanders the planet in search of the purpose for his being on Earth while also using his special abilities when the situation requirs them. From there, the narrative is told mostly through flashback, revealing small glimpses of a person desiring acceptance from a harshly judgmental society but denied so often that it grows into a weight of sad memories. The scene then plays like an unknown, subconscious presence shadowing the rest of the story, which later becomes a heavy emotional burden when Clark learns he's actually Kal-El, the last son of Krypton. With glitzy, overtly-stylized directing from Zack Snyder (' Watchmen'), the film opens with a stirringly sentimental and feverish spectacle of Jor-El (a rather stiff Russell Crowe) defending his family and the future of his species against a military coup d'état led by General Zod (Michael Shannon in a splendid and memorable role). This is a fact his parents have chosen not to keep secret from him. Although Clark Kent (Henry Cavill doing his best but never becoming wholly convincing) is adopted by two very loving parents (a surprisingly good Kevin Costner and Diane Lane) and raised in the American heartland of Kansas, he must cope with the fact that he is different from others, that he's an immigrant (or an illegal alien, to be perfectly honest) in the truest sense of the word, a being caught in the middle of two seemingly opposing cultures. Goyer - the same pair that made ' The Dark Knight' movies a success - almost the entire first half in 'Man of Steel' is dedicated to this personal struggle with self-identity.

man of steel reviews

From a story by Christopher Nolan and David S. One aspect within the Superman mythos not often enough explored for mainstream audiences is the character's desire to know more of his origins and the dilemma over his foreignness.

man of steel reviews

There's also something inspiring in seeing what we previously thought of as perfect as only being good at hiding their inadequacies. Nevertheless, we're here now, and filmmakers are unafraid to posit our heroes as heavily flawed individuals with quandaries, damaged goods who must overcome their imperfections and personal dilemmas to aspire for greatness. Then again, maybe it's not that much a surprise, all things considered.

Man of steel reviews movie#

The only real surprise is that it took movie studios this long to finally give comics the respect they deserve. Today, the movie superhero is no longer a comic caricature, but a flesh and blood character, almost human, struggling with grave moral demands that adults can appreciate.įrankly, these more thoughtful aspects to comic-book superheroes come as little surprise, they're familiar themes that have been enjoyed by devoted fans and have already been acknowledged and discussed by academics for decades. Arguably, Ang Lee's largely disappointing ' Hulk' and Bryan Singer's excellent ' X2: X-Men United' were really the first films to touch on these themes however, Nolan took it further, went deeper and traveled into darker territory. They're now taken with a more serious, often quite dark and very much post-modern tone, interestingly exploring the psychology that makes up a superhero and how he handles the weight of responsibility as protector of humanity's own path towards destruction. Christopher Nolan's ' Dark Knight' trilogy has had a tremendous impact on the way filmmakers and studios now approach comic book adaptations.











Man of steel reviews